I’m not sure why I signed myself up to review Taio Cruz’ third album. Only a fortnight earlier, I had concocted a formidable stretch of satire, a lengthy piece devised to denounce its hit-single Hangover. I suppose, deep down, I wanted to believe Cruz had better in store for me. I needed to believe it. I held tight to the idea that Cruz’ album tracks…
The festival landscape has undergone major upheaval in the last three years, and Covid’s long-term impact on the music industry…
