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‘Doom Days’: Bastille’s Dan Smith On The Beauty, Horror & Hypocrisies Of Modern Life

Self-described as an ‘apocalyptic party album’, London locals Bastille‘s third record takes place over the course of a night out during the end of the world.

Over 11 tracks, you’re dragged on a journey of distraction from the surrounding apocalypse, whether that involves screaming along to the radio in the back of an Uber on ‘Quarter Past Midnight’,…

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