Workhorse, the dream-pop project of Adelaide songwriter Harriet Fraser-Barbour, released its debut album No Photographs in August. One of the album’s standouts is ‘Mary Maiden’, a reimagining of Joan Baez’s ‘River in the Pines’. Workhorse transforms the sparse, acoustic folk of the original into a hypnotic, melancholic track featuring electric guitar chords, understated strings and Fraser-Barbour’s dreamlike vocals.
We’re premiering the song’s accompanying…
